Jul 27, 2025

King Kong vs Godzilla


Show banner designed by Andrew Kern
Show poster designed by Jason Cortez

This weekend marks the fourth Godzilla-Palooza at the Mahoning Drive-In Theater.
 

Wes and Sara created an excellent photo op on the stage outside of the concession building.  It included an 8 foot tall King Kong and Godzilla, the latter of whom breathed smoke and roared, and an excellent backdrop featuring artwork by Andrew Kern.


The stage also lit up at night with a red glow that made it look like the city was on fire.


Jul 22, 2025

The Prince Of Darkness


Ozzy Osbourne
1948 - 2025
One of the legends of heavy metal, and of rock music in general, passed away from Parkinson's Disease today just seventeen days after his farewell performance in Birmingham.  He was 76 years old.
Standing at the crossroads, world spinning round and round
Know which way I'm going, you can't bring me down
Don't you try to teach me no original sin
I don't need your pity for the shape I'm in

I don't want to change the world
I don't want the world to change me

Tell me I'm a sinner, I've got news for you
I spoke to god this morning and he don't like you
You're telling all the people the original sin
He says, he knows you better than you'll ever know him

I don't want to change the world
I don't want the world to change me

You know it ain't easy
You know it ain't fair
So don't try to please me
Because I really don't care

Don't tell me stories 'cause yesterday's glories
Have gone away, so far away
I've heard it said there's a light up ahead
Lord I hope and pray, I'm here to stay

Tell me I'm a sinner, I've got news for you
I spoke to god this morning and he don't like you
Don't you try to teach me no original sin
I don't need your pity for the shape I'm in

I don't want to change the world
I don't want the world to change me

Jul 20, 2025

The Italian Master Of Terror


Quattro Film Di Dario Argento
Suspiria / Inferno / Phenomena / Opera
The Gap Theatre - Wind Gap, PA


There's no filmmaker that I'm more interested in studying than Dario Argento.  Every film of his that I've had the opportunity to see has absolutely fascinated me.  I can't claim that I understood all of them as fully as a more experienced giallo fan, but every film of his that I've seen has made me want to see it again.  This quadruple feature was an opportunity to do just that.

Photo by Sergio Valentino

Rosalie Kicks and Benjamin Leonard from Movie Jawn were on hand to sell merch and copies of their excellent zine.  If you haven't read their work yet, I highly recommend it.  Check out their interview with Harry Guerro, the co-founder of Exhumed Films and head dude in charge of The Gap.

Photo by John Wheatman

The front row crew at the Mahoning has become the back row crew at The Gap.  I was joined in this screening by John, Dave, and Mike in the back row of the theater.

Photos by Sergio Valentino

It's a little difficult to see, but that back row against the wall in between the two exits is one of the premium spots at The Gap.  The seats seem to be a bit cushier than the rows in front, and there's a ton of leg room.
 
Photo by Sergio Valentino

Photo by Sergio Valentino

The night kicked off with the 1977 film and the first film of Argento's Three Mothers Trilogy, Suspiria.  I saw this movie for the first time three years ago at the Mahoning Drive-In Theater.  It's a stunning film that overwhelmed my senses like nothing else that I had ever seen before.  For as much as I enjoyed it the first time that I saw it, I was able to understand and appreciate it on a deeper level on this second occasion.

Photo by Sergio Valentino

Next up was the second of The Three Mothers Trilogy; the 1980 film Inferno.  This is another movie that I saw for the first time three years ago at the Mahoning Drive-In Theater.  I had less trouble keeping up with the plot last night than I did on the first occasion that I saw it, but it was still challenging.  It was my least favorite movie of the four that we got to see last night, but it's definitely worth seeing.

Photo by Sergio Valentino

The third film of the night was the 1980 giallo classic, Phenomena.  This was my first time seeing this film in its original, uncut form.  I had seen the American cut (Creepers) when it was screened on 35mm during Mondo Argento at the Mahoning Drive-In Theater.  Although I loved Creepers, I learned from other folks on the lot that it was butchered by its American distributors who cut the film down from 116 minutes to 83 minutes and changed the order of several scenes.

The 35mm print of Phenomena that we saw at Quattro Film Di Dario Argento was the full 116 minute uncut film in Italian.  Harry told us during the third intermission that the film that we just watched is a few seconds longer than the uncut version that had been released on Bluray.  The print didn't have subtitles, but the team at The Gap synced up a separate projector to add the subtitles to the film.  The end result was flawless.  I never would have known that the 35mm print didn't have the subtitles if they didn't tell us.

For as much as I enjoyed Creepers, Phenomena was on another level.  This film is a masterpiece, and I feel incredibly fortunate to have had the opportunity to see it on 35mm.

Photo by Sergio Valentino

The last movie of the night was the 1987 film Opera.  This was the last movie screened at Mondo Argento in 2022, but both my wife and I were pretty tired and we left the drive-in during the second intermission, so last night was my first time seeing it.  It's an excellent murder mystery film that I'd recommend to anyone who likes that sort of thing, but be prepared to be disturbed.

Photo by Sergio Valentino

And that's a wrap on Quattro Film Di Dario Argento at The Gap Theatre.  I apologize for the lackluster writeups on the films.  I've come to terms with the fact that I'm not nearly as good of a writer as my loved ones have led me to believe, and that is never more evident than when it comes to writing about movies that I've seen.  I can't really explain why I like the movies that I like, and I get frustrated when the thoughts I want to express just aren't coming together.

Jul 19, 2025

Welcome To Tromaville



Show banner designed by Andrew Kern
Show poster designed by Marco Mazzoni

Friday night was the first night of Troma Thon 2025.  It's been a few years since I've last been to a Troma event at the Mahoning.  I respect Troma for their independent spirit and their fierce defense of freedom of speech in the arts, and I'm a fan of The Toxic Avenger, Tromeo & Juliet, Class Of Nuke 'Em High, and Sgt. Kabukiman, but the sense of humor in the other Troma films that I've seen doesn't land with me the way that it does with many others.  It's typically a pretty busy weekend at the drive-in, so I offered to come down and help out on the lot crew.
 

There was a stage set up with live music and about a dozen different vendors set up outside the concession building, and a demo set up for Retroware's Toxic Crusaders game, which is set to be released on Switch, Playstation, Xbox, and Steam in the very near future.
 

There was also a very cool photo op on the stage outside of the concession building that I helped set up on the last day of VHS Fest with JT, Steve, Wes, Donovan, and Alex.  The astroturf was a hell of a lot heavier than I thought it was going to be.  If Alex wasn't there, I think the rest of us would still be trying to roll that damn thing out!


This is what the photo op stage looked like when it was finished.  The woman standing to the right of The Toxic Avenger (JT) is Pat Swinney Kaufman.  She is the executive director of the New York State Governor's Office for Motion Picture and Television Development and the deputy commissioner of Empire State Development (and Lloyd's wife).  She was lovingly referred to by everyone on the lot as "The Commish".  To the right of her is lot crew manager Dave Wert, who is a hell of a nice man and who busts his ass making sure things on the lot run smoothly, and next to him is director and Troma co-founder Lloyd Kaufman.

I meant to get a photo on the stage, but time got away from me.  Lloyd, Pat, and JT stayed until well past midnight to meet fans, sign autographs, and even participate in full skits that were videotaped by some of the Troma fans in attendance.  I still ended up taking a nice photo with Lloyd Kaufman, and it's a memory that I'll never forget.


I was hanging out by the concession building during intermission talking with Mark and Nancy when JT came over to me and asked if I had room in my car.  I figured that he probably wanted help with moving some props or something like that, but instead he asked if I could drive Lloyd and Pat Kaufman back to their hotel.  I've lived in the area for most of my life and I'm familiar with the hotel that they were staying at, and... I got to hang out with the dude who created and directed The Toxic Avenger!

I was a little nervous at first so I kept pointing out restaurants as we passed them to let them know a few places in the area that had good food.  I hope they had a chance to stop at The Beacon.  It's one of the last vintage diners in the area, and they make some pretty darn good eats!


Lloyd and Pat were both incredibly kind.  I was debating in my mind throughout the drive of whether or not I should ask if I could take a picture or if that would be annoying to a guy who had a very long day and needed to get some shut eye to get ready for another long day on Saturday.  When we got to his hotel, I sort of said "to hell with it" and asked him if it would be alright, and he could not have possibly been more gracious.


He also gave me this awesome first issue of the new Toxic Avenger comic (with a trading card) as a present for bringing them back to the hotel, which was incredibly nice of him.  I'm proud to add this to my comic collection, and I'll always remember that it was given to me by the man who created Toxie.


I didn't get a photo of the title cards, but I did get to watch most of Surf Nazis Must Die from the front gate, and Rabid Grannies from my car after I got back from dropping Lloyd and Pat off at their hotel.  I had seen both of them before.  I saw Surf Nazis for the first time when I rented it on VHS from Hollywood Video when I was a teenager, and Rabid Grannies was one of the first movies that I ever saw at the Mahoning when it was screened at VHS Fest 5 in 2021.  I missed Rise Of The Super Tromettes, which was the second movie of the night, so I'll have to circle back and catch it at home.

I would have gone back tonight for the second night of Troma Thon 2025, but I have tickets for a marathon of Dario Argento films at The Gap, which I'll write about later.  I'll definitely make it back to Troma Thon 2026 though.  Maybe I'll get that photo printed and ask Lloyd if he wouldn't mind signing it.

Jul 16, 2025

I Am Thinking Of Your Voice


Tom's Diner remix
D.N.A. featuring Suzanne Vega (1990)
A remix track of one of the most fascinating songs of the 1980's was released 35 years ago today.


The diner in the song where Suzanne Vega has her morning coffee is Tom's Restaurant on the corner of Broadway and West 112th Street in New York City.  This is a location that will be instantly familiar to Seinfeld fans as it was the filming location for all of the exterior shots at Monk's Cafe in the series.

Years before Jerry, George, Elaine, and Kramer turned this establishment into their regular meeting place, a 22 year old Suzanne Vega found herself at the restaurant on the morning of November 18th, 1981 imagining life from the point of view of her friend Brian Rose.  He's a photographer who once told the singer that he saw his life through a pane of glass and that made him feel like he was able to witness many things without ever being involved in them.  She was inspired to put pen to paper and write how Brian would perceive the moment that she found herself in at the restaurant at that moment.

New York Post  (November 18, 1981)

The song's lyrics have led to fans being able to pinpoint the date when Suzanne wrote down her observations that would become Tom's Diner.  About two thirds of the way through the song, she sings 
I open up the paper
There's a story of an actor
Who had died while he was drinking
It was no one I had heard of
And I'm turning to the horoscope
And looking for the funnies
When I'm feeling someone watching me
And so I raise my head
In the years since, Suzanne has confirmed that the actor in question was William Holden.  The man who in 1953 won the Academy Award for Best Actor had been drinking in his apartment when he slipped on a throw rug and fell into the sharp corner of a nightstand that was next to his bed.  The corner reports state that he passed away on November 12th, but his body wasn't discovered until the 16'th, and the New York Post cover story wouldn't be published until November 18th.

New York Post  (November 18, 1981)

The line in the song where Suzanne mentions that she turned to the horoscope while looking for the funnies was the key in fans narrowing down the paper that she was reading.  At the time, there were only two newspapers in the city which had a weekday comics section, and the New York Post was the one out of those which had the story of William Holden's death on the cover.


Suzanne finished writing and recording the song as an a capella track the following year.  It was first released in the January 1984 edition of Fast Folk Musical Magazine, which was a combination of a print magazine with a vinyl record album that was published monthly.  It would receive a much wider release three years later when it was included on her second studio album, Solitude Standing, which was released on April 1st, 1987.
Suzanne Vega (1987)
I am sitting in the morning
At the diner on the corner
I am waiting at the counter
For the man to pour the coffee
And he fills it only halfway
And before I even argue
He is looking out the window
At somebody coming in

"It is always nice to see you"
Says the man behind the counter
To the woman who has come in
She is shaking her umbrella
And I look the other way
As they are kissing their hellos
And I'm pretending not to see them
And instead I pour the milk

I open up the paper
There's a story of an actor
Who had died while he was drinking
It was no one I had heard of
And I'm turning to the horoscope
And looking for the funnies
When I'm feeling someone watching me
And so I raise my head

There's a woman on the outside
Looking inside, does she see me?
No, she does not really see me
'Cause she sees her own reflection
And I'm trying not to notice
That she's hitching up her skirt
And while she's straightening her stockings
Her hair has gotten wet

Oh, this rain, it will continue
Through the morning as I'm listening
To the bells of the cathedral
I am thinking of your voice
And of the midnight picnic once upon a time
Before the rain began...
And I finish up my coffee
And it's time to catch the train


The original Tom's Diner wasn't released as a single in the United States and it didn't chart very high in Europe, but it received a second life in 1990 when Nick Batt and Neal Slateford remixed Suzanne's vocals with a dance beat taken from the 1989 song Keep On Movin' by Soul II Soul.  Under the name DNA, the duo released their remix without the permission of the artist, her record label, or the publisher of the song, but Suzanne liked the interpretation and a deal was struck for it to be released by A&M Records.  It would go on to become an unexpected hit, reaching #1 in Austria, Germany, Greece, and Switzerland and peaking at #2 on the UK Singles Chart and #5 on the US Billboard Hot 100.  The remix was also one of the few songs to reach the Top 10 in both Billboard's Modern Rock Tracks and Hot R&B Singles charts.

D.N.A. featuring Suzanne Vega
I am sitting in the morning
At the diner on the corner
I am waiting at the counter
For the man to pour the coffee
And he fills it only halfway
And before I even argue
He is looking out the window
At somebody coming in

"It is always nice to see you"
Says the man behind the counter
To the woman who has come in
She is shaking her umbrella
And I look the other way
As they are kissing their hellos
And I'm pretending not to see them
And instead I pour the milk

I open up the paper
There's a story of an actor
Who had died while he was drinking
It was no one I had heard of
And I'm turning to the horoscope
And looking for the funnies
When I'm feeling someone watching me
And so I raise my head

There's a woman on the outside
Looking inside, does she see me?
No, she does not really see me
'Cause she sees her own reflection
And I'm trying not to notice
That she's hitching up her skirt
And while she's straightening her stockings
Her hair has gotten wet

Oh, this rain, it will continue
Through the morning as I'm listening
To the bells of the cathedral
I am thinking of your voice
 
photo credit: Richard Perry (New York Times)

In 2008, Suzanne Vega wrote an incredible essay about Tom's Diner that was published in The New York Times that I highly recommend.  Click here to read it.