Showing posts with label thestand. Show all posts
Showing posts with label thestand. Show all posts

Apr 29, 2025

Come On Down And Meet Your Maker


Mike Peters
1959 - 2025
Welsh rock star Mike Peters passed away today after a thirty year battle with cancer.  The lead singer of The Alarm was 66 years old.

His band is best known for their singles Sixty Eight Guns, Strength, Rescue MeRain In The Summertime, and Sold Me Down The River, but the first song that comes to mind when I think of The Alarm is their 1984 homage to my favorite book, Stephen King's The Stand, which Mr. Peters co-wrote the song with guitarist Dave Sharp and bassist Eddie Macdonald.

Mr. Peters spoke about the origin of this song, titled "The Stand (Prophecy)" in a 2020 interview with Greg Prato of SongFacts, saying "I had this song that was like a folky version of The Magnificent Seven by The Clash...  and I thought I could take it into the folk area, and set the story of The Stand to the music of the A minor and G chords, and the E minor and the F. It was something that came about pretty fast...".
Come on down and meet your maker
Come on down and make the stand

I have been out searching, and with the black book in my hand
I have looked between the lines that lie on the pages that I tread
I met the walking dude, religious, in his worn down cowboy boots
He walked liked no man on Earth, I swear he had no name
I swear he had no name

Come on down and meet your maker
Come on down and make the stand
Come on down, come on down
Come on down and make the stand

As I crawled beneath the searchlights
Looking through the floorboards of this life
I met Doctor Strangelove's cousin, he bore the marks of time
Hey, Trashcan, where you going, boy? Your eyes are feet apart
Is that the end you're carrying? Shall I play the funeral march?
Play the funeral march

Come on down and meet your maker
Come on down and make the stand
Come on down, come on down
Come on down and we'll make the stand

When I looked out the window on the hardship that had struck
I saw the seven phials open, the plague claimed man and son
Four men at a grave in silence with hats bowed down in grace
A simple wooden cross, it had no epitaph engraved
It had no epitaph engraved

Come on down and meet your maker
Come on down and make the stand
Come on down, come on down
Come on and make the stand

Feb 17, 2025

Baby, Can You Dig Your Man


Pocket Savior
Larry Underwood
This will come as no surprise to anyone who knows me reasonably well, but I absolutely love Stephen King's The Stand.  I love the book, the audiobook recordings (both of them), the 1994 mini-series, the soundtrack from the mini-series, the haunting score by W. G. Snuffy Walden, and the directors commentary track from the DVD release of the mini-series.  The only thing associated with The Stand that I don't like is the 2020 mini-series, and the less said about that wasted opportunity, the better.

One of my favorite parts of the story is the song Baby Can You Dig Your Man.  The backstory is that after years of playing clubs and working as a session musician without a lot of success, a singer / songwriter named Larry Underwood has finally broken through with this song as a hit single.  He's run up a drug debt and had to flee California and go back to stay with his mother in New York for a little while, but aside from this temporary setback, Larry is on top of the world.  However, his good fortune just so happens to come right before a plague wipes out over 99% of the world's population.  Larry is one of the survivors who have a natural immunity to Captain Trips, so he is left to pick up the pieces of what is left in the world.  The fact that Baby Can You Dig Your Man was one of the last new pop songs to be given massive radio play before the world ended has resulted in it being kind of stuck in the minds of many of the other survivors.  This point is really driven home in the 1994 mini-series which has everybody from Glen Bateman, to The Trash Can Man, to Randall Flagg finding themselves absent-mindedly singing the tune.


This scene of Larry driving up to his mother's home in Queens is just past the 21 minute mark of the 1994 mini-series.  It serves as our introduction to both the character and his hit single which is playing on his car radio.  The clip we hear in the mini-series has a lead singer and backup singers with clear lyrics and instrumentals, so it sounds like it was a fully fleshed out song.  However, this clip is all that we ever hear from this recording, and I don't just mean in the mini-series itself.  The song wasn't included in the soundtrack, or in any of the bonus features on any DVD or Bluray releases that I am aware of.

For years, I've scoured the internet trying to find out if the people behind the making of this mini-series only commissioned the recording of the 43 seconds that you hear on screen, or if the full song was recorded, but I was never able to find anything except for audio clips taken from the mini-series and independent singers and musicians who tried to recreate the song on their own.  The only information about the song that I was able to find was a blurb on IMDB stating that the vocals in the song that you hear in the mini-series were performed by Al Kooper.


On Saturday February 8th, I was in attendance for the Exhumed Films presentation of the 1994 mini-series of The Stand at the Colonial Theater in Phoenixville.  Director Mick Garris was also in attendance to introduce the film, meet fans, sign autographs, and to have a Q&A with the fans in attendance after the credits rolled.  There's probably no better person to ask than the man who directed the mini-series, so I took a shot and asked.  He confirmed that the full song was recorded with the lyrics written by Stephen King and the music written by Mike Bloomfield.  He also said that it didn't appear on the soundtrack and was never officially released, but he suggested that I check YouTube.

I was glad that he gave me more information about the song that I didn't know, but to be honest, I really wasn't expecting to find much on YouTube after checking off and on for years without success.  However, I was shocked and thrilled to get a message from my friend Tom, who was also in attendance at the screening, with a link to the full song which was shared on YouTube by a contributor called Dirt T. Ryder just six weeks ago.  The lyrics are packed with nods to the original novel with references to the premonitions that Larry has of Mother Abigail and Randall Flagg, and the dental hygienist that he hooks up with in New York.  So, without further ado, here is the song that took me three decades to find.
I know you've got the hurt it's right there in your eyes
But here I am baby on my knees to apologize
There's nothing I won't do for the two of us
To make a stand

Baby can you dig your man
He's a righteous man
Tell me baby can you dig your man

In the quiet nights, I’ve seen her face
A beacon of hope in a fallen place
I’ve heard her call its a voice so kind
But the dark man’s grin lingers in my mind

Baby can you dig your man;
He's a righteous man
Tell me baby can you dig your man

I'll walk the streets, across an empty land
I'll do what's right ill make my stand
I’ve heard her words they hurt me deep
"You ain’t no nice guy"
They haunt me in my sleep

Baby can you dig your man
He's a righteous man
Tell me baby can you dig your man

I know I didn’t say I was comin down
I know you didn’t know I was here in town
I didn’t come to ask you to stay all night
Or to find out if you’ve seen the light

I didn’t come to make a fuss or pick a fight
Hey baby I come down here tonight
And I didn’t come to get in no fight
I just want you to say if you can

Tell me once and I’ll understand
Baby can you dig your man
He's a righteous man
Tell me baby can you dig your man

Didn't come to make a fuss or pick a fight
Just want you to tell me if you think you can
Baby can you dig your man

Feb 9, 2025

A Captain Trips Outbreak In Phoenixville


The Stand
Colonial Theatre - Phoenixville, PA
Yesterday, I met up at the Colonial Theater with some friends from the Mahoning for an incredible screening that I never thought to be possible.


The Stand is a book that I have been obsessed with since I was a teenager, and the six hour mini-series that aired on ABC in 1994 was my introduction to this universe.

A common topic of conversation on the lot at the Mahoning Drive-In Theater is our dream bookings.  In other words, if we had the ability to book a double or triple feature on the big screen and there were no restrictions on what we could do, how would we book it?  What movies would we choose?  What would we call the event?  What special guests would we bring out to the lot?  What would the t-shirt and poster look like?  What special themed food or drink items would we have available for the night?  You get the idea.


One of the ideas that always came to my mind when these discussions come up is the original 1994 mini-series of The Stand.  I rarely mentioned it though because it seemed so unlikely to happen that I felt like that answer didn't count.  First of all, it's not technically a movie; it's a 366 minute long mini-series.  Secondly, because it was made for television, there aren't any film prints available.  With the exception of VHS Fest and the rare one-off screenings where a print of a movie damaged or unavailable, the Mahoning's focus is presenting films on 35mm.  Finally, it's over six hours long.  Granted, the Mahoning is no stranger to triple features and dusk-til-dawn screenings, but even if they did decide to show something that was made-for-tv, I couldn't imagine that they'd dedicate a full night to it.  It wasn't even one of the ideas that I sent to Mark and Virgil when they asked the Patreon members what they'd like to see.  It just seemed too unrealistic to suggest.

I can't think of the right words to express how happy I was when it was announced late last year that Exhumed Films was hosting an event at the Colonial Theater in Phoenixville where they would not only be showing the entire miniseries on the big screen, but its director Mick Garris would be in attendance to introduce The Stand, meet fans and sign autographs, and to have a Q&A at the end of the show.


Mick Garris has a very impressive resume in films and television.  Some of his earliest work was directing and producing "The Making Of" documentary shorts for movies such as The Howling, Videodrome, and The Goonies, the latter of which he worked on with Stephen Spielberg which led to his work on Amazing Stories where he worked as a writer, director, and story editor.  His work in film includes writing the story that became the 1987 classic Batteries Not Included, as well as writing the screenplay for The Fly II, directing Psycho IV: The Beginning, and writing and directing Critters 2: The Main Course.  However, his most well known project is Disney's 1993 Halloween classic Hocus Pocus, which he wrote the story and the screenplay and served as co-executive producer.

Mr. Garris was a frequent collaborator with Stephen King in bringing his stories to the screen.  His first work with the author came in 1992 when he directed Sleepwalkers.  This was followed by The Stand mini-series, which aired in May 1994.  He also directed the 1997 mini-series adaptation of The Shining, which stays much more true to the original novel than the Stanley Kubrick film, and the 2011 mini-series adaptation of Bag Of Bones.


The thing on his resume that absolutely blew me away is when I learned that he was one of the zombies in Michael Jackson's iconic music video for Thriller.  He's the last zombie to come up out of the ground in the graveyard scene, and he's the tall zombie standing next to Michael on the left in the final zombie scene, right before Michael leans down to his date and asks "what's the problem" when everything goes back to normal.  How freaking cool is that?!

In addition to all of this, Mr. Garris is a very kind and generous guy.  He flew out from California for this event at the Colonial Theater, and at a time when people with much shorter resumes charge $20 and up for an autograph or a photo, he met fans, signed autographs, and took pictures for free.  He didn't even have 8x10s to sell.  Very cool!

Show poster designed by Jason Cortez

He signed this very cool poster that I picked up from the Exhumed Films merch table.  The artist, Jason Cortez of Sons Of Thunder Studios, has designed a few posters and t-shirts for the Mahoning over the years.  I've always liked his work, but this poster is my favorite.


It's not often that I'll ask a guest at an event that we're visiting if they wouldn't mind signing a second thing for me, but these tapes are pretty special to me.  I didn't discover The Stand until a few years after the mini-series aired on ABC when I was working for a video rental store called Blowout Video.  Employees were allowed to rent two tapes per night for free as long as they weren't on the new release wall.  I got to see a lot of movies for the first time while I was working here, and this was one of them.  I loved the mini-series so much that I bought the novel in paperback shortly after returning the tapes.  It was the first Stephen King book that I ever read, and to this day it's my favorite.  I've read quite a few of his books since then and have become a huge fan of his work.  It all started with these VHS tapes.  They opened the door to a whole new world for me.


We all settled in to seats in the front row before the start of the show.  Mick Garris came to the stage to introduce the movie.  There was a ten minute intermission between each of the four episodes which gave some time to stretch our legs, get some popcorn, and hit the restrooms without missing any of the show.  After the credits rolled, Mr. Garris came back to the stage for a Q&A with the fans.  I asked the first question, but I'll talk more about that later because it led to a pretty awesome discovery.


This was absolutely one of my favorite experiences that I've ever had at an indoor theater, and one that I never thought would happen.  Part of the reason that I write about things like this on here is so I can look back on it years from now and remember some of the fun things that I've gotten to see and do, but something tells me that I won't forget this show.

Jan 10, 2021

It Hasn't Got A Leg To Stand On



My toughest night as a fan of the Philadelphia Phillies was October 7th, 2011.  It was Game 5 of the NLDS against the St. Louis Cardinals - an elimination game.  The winner moves on in the playoffs and the loser goes home.

The Cardinals scored in the top of the 1st inning.  It ended up being their only run of the game, but it was enough.  Of course, I had no way of knowing that would be the case.  When I watched the Phillies bat in the bottom of the first, I had all the hope in the world, and every reason to believe the Fightin's would pull through.  After all, this was a team that won 102 games during the regular season.  We had Roy Halladay on the mound and a lineup that included Ryan Howard, Chase Utley, Jimmy Rollins, Hunter Pence, Raul Ibanez, Shane Victorino, Placido Polanco and Carlos Ruiz.  Surely they could come back from a one run deficit with 27 outs to work with.  However, the situation grew more tense as each inning passed without the Phillies scoring a run.  The torture continued for over two hours.  It finally ended in the bottom of the 9th when Ryan Howard hit a weak ground ball up the middle and then collapsed with a torn Achilles tendon.  The Phillies lost the game, and they haven't been back to the post season since.

There are nine innings in a ballgame, and there are nine episodes in The Stand miniseries on CBS All Access.  After four episodes, I can say that this show feels a lot like that game in 2011.  With each passing episode of bungled, clunky storytelling, there's less time and fewer opportunities for this to end in a win.


I was truly excited for this miniseriesThe Stand is not only my favorite book; it's my favorite work of fiction in any medium.  To say that it has been a disappointment so far would be a massive understatement.  It's a sloppy mess with character development that has been so poor that it's almost non-existent.  It's not quite as horrible as The Dark Tower movie, but it doesn't even come close to the standards set by the 1994 ABC miniseries, let alone do justice to the novel.

Part of the reason for this is that the show's creators decided to try to get cute with the flow of the story.  Rather than tell it as a linear story from start to finish, it jumps all over the place in time.  It seems like the gimmick was used to give the writers an opportunity to gloss over the pandemic and get to the Boulder Free Zone as soon as possible, but that does a great disservice to the story.  The first 230 pages of the novel - nearly 1/5th of the story - is the Captain Trips plague and its effects on the world.  It is the foundation upon which the rest of the story is built.  We are introduced to Stu, Nick, Larry, Frannie and Harold as the pandemic ends the world around them in just under a span of two weeks.  The miniseries hints at this with stunning visual effects and a few clips told in flashback, but it seems like it purposely doesn't tell the full story of the plague.  They decided to skip over the end of the world, and in so doing, they've made the rest of the story far less meaningful.

I'm sure that when the series is over, there will be fan edits that tell the story chronologically, but instead of improving the overall product, I think it will expose the CBS All Access miniseries for what it is: a version of The Stand that has been hacked to pieces, with more holes than a chunk of Swiss cheese, and with characters who were written with very little concern for the source material.



First of all, the Mother Abagail of the novel is a bad ass.  She is 108 years old and still makes her own biscuits in her farmhouse.  She also pumps her own water from the well, and kills her own chickens for her supper.  She is not a helpless old lady in a Colorado nursing home who is waiting for Nick to rescue her before she runs out of her pills, as this new miniseries would have you believe.  She also did not crave power and would never have been so arrogant as to refuse to speak to her neighbors in Boulder, insisting that they go through Nick.


Likewise, Fran Goldsmith is not the damsel in distress that she has been portrayed to be in this miniseries.  The Frannie in the novel would never attempt suicide, especially knowing that she is pregnant.  She may be intimidated by her mother in the parlor, but she is a strong, confident woman who knows what she wants and stands her ground to make sure that she gets it, or at least that her voice is heard, loudly and clearly.



The worst injustice so far has been what this miniseries has done to Larry Underwood.  I'm left to wonder why they even bothered to include Rita Blakemoor in this adaptation.  The whole point of her character is to show Larry's growth from a selfish boy in a man's body into an honorable man who has come out the other side as a father to Leo, a husband to Lucy, and a leader to the Boulder Free Zone.  The Larry Underwood of the novel may have showed off by playing the Star Spangled Banner on guitar from the roof of his house in the world before Captain Trips, but that Larry was gone by the time they got to Boulder.



Like most of the others, the characters of Glen Bateman and Stu Redman have been cut down to the bone.  The 1994 ABC miniseries left out a lot of the details in book (which is to be expected), but it does a good job of capturing the bond of friendship between the old bald-headed sociologist and the good ol' boy from a dying East Texas town.  The 2020-21 miniseries barely does enough to make them acquaintances.

They started off by short changing the story of who Stu was in Arnette, Texas.  They then included a friendship between Stu and one of the plague center doctors, which was actually a pretty good addition to the story.  However, since that time, the character has been flat out boring and bears only a faint resemblance to the Stu of the novel.  He has no chemistry with Glen, or Fran, or anybody else.  He's just a generic guy in charge.

Glen is my favorite character of the novel, and while the 1994 miniseries cuts out quite a bit of what made him special in the novel (such as his theories about how society would come together after Captain Trips), the new miniseries seems like it wrote a brand new character from the ground up and just decided to call him Glen Bateman.  Frankly, if they were going to play him like this, they might as well have cut the character from the story altogether.


The only character that has been given any significant depth after four episodes is Harold Lauder.  In fact, if you've started watching this miniseries without ever reading the book or seeing the 1994 miniseries, you might think that he was the main character of the story.  In all fairness, Owen Teague has done a fantastic job in the role.

In fact, I don't think there's anything wrong with any of the acting performances so far.  They're just written so badly and so far from the source material that it has killed much of what makes The Stand such a fantastic story.  There's nothing to connect to with most of these characters.  There's no depth, no heart, no connections to each other or to the viewer.  Take Ralph Brentner: in the novel, he's a middle-aged, blue collar, salt-of-the-earth guy with a heart of gold who loves Mother Abagail like she was his own mother.  That character was replaced by "Ray" Brentner, who has had maybe a dozen words of dialogue total, and whose entire role thus far has been reduced to Queen's Guard to Mother Abagail - an extra who could just have easily appeared in the credits as "doorwoman with gun".

There are things that have been done well.  The choice of music has been excellent (though I do miss the haunting score of W.G. Snuffy Walden), and the visual effects have been quite good.  They didn't cheap out, that's for sure.  However, the writing and the story structure have made this really difficult to enjoy.  This is not The Stand.  It's some guy monkeying around with The Stand, and trying to add his own little twist on it, and screwing it up royally in the process.  It's such a shame.  This could have been great.

Dec 17, 2020

This Is The Way The World Ends...


Grab your Chocolate Payday and head over to CBS All Access.  The world is ending today, not with a bang, but with a new adaptation of the greatest post-apocalyptic story ever written.

PS: I took this photo in July.  If I took it today in the same spot, you would be lucky to see the top of the book.  The rest would be buried in snow.

Sep 8, 2020

The First Peek At A Long Journey


The Stand: Teaser Trailer
CBS All Access (2020)
The first trailer for The Stand was released to the public not long ago. I don't usually watch these because I like to go into a show or movie completely fresh, but over the past quarter century, I've come to know this story backwards and forwards and I'm anxious to see how they bring it to life this time around.

The video is only 30 seconds long, but it packs in a lot of clues for what we're about to see on December 17th.


The beginning of the trailer shows Frannie Goldsmith having the dream where she walks out of the cornfield in Hemingford Home, Nebraska.


I know this is a dream scene, so I can't say for sure if this is the way that Whoopi will look when the first group of travelers reaches Nebraska, but she has an awfully full and vibrant head of hair for a 108 year old woman.  Ruby Dee was made to look like she actually might be a centenarian (despite the fact that they made her two years younger in the original mini-series for some odd reason).  Whoppi is a phenomenal actress, so I'll go ahead and assume that god wouldn't dare ask her to lead the children of America into Colorado without her trademark dreads.

This is the first screen where I got a good look at Frannie, and I think Odessa Young is spot on.  She was written to be a pretty 20 year old college student.  My fear was that when Hollywood would try to sex her up to a ridiculous degree as they're known to do when they get their hands on a script adaptation of a novel.  However, I think they got her look just right.


This was the most revealing shot of the trailer to me.  Based on the background and the group of four in this scene, I believe that we're looking at the four brave souls who went west to take their stand against Randall Flagg in Las Vegas.  Specifically, it appears to me that they're in the Utah badlands looking up at the small mountain they have to climb to get back onto the highway.

Here's where it gets interesting: the group of four that make this journey are Stu Redman, Larry Underwood, Glen Bateman and Ralph Brentner.  Based on the publicity photos that have already come out, that appears to be Greg Kinnear as Glen on the far left and Jovan Adepo as Larry on the far right.  Standing next to Larry is our hero from Arnette, James Marsden as Stu.  However, their fourth companion in the cowboy hat doesn't look too much like an overweight, middle-aged man from Oklahoma City.

IMDB doesn't have a character named Ralph Brentner listed in the cast & crew for the 2020 mini-series; however, the Wikipedia entry for the show includes a listing for Irene Bedard playing a character named Ray Brentner.  Irene is a Native American actress who starred in a very successful independent film called Smoke Signals in the late 90's.  To repeat what I said earlier about the casting of Larry Underwood, I am not opposed to changes to a character's race, gender and/or age in a remake on the surface - as long as it's not done in a way that breaks continuity with the overall story.  For example, casting Idris Elba as Roland in The Dark Tower was ridiculous because a major plot point in the series involves his struggles with a young black woman from the 60's named Odetta Holmes (aka: Detta Walker) who mistrusts Roland in large part because he is a "honky mahfah".  Little did I know at the time that this was the least of the problems with The Dark Tower film, which was a complete train wreck that barely resembled the books at all.

Anyway, I think it's an interesting interpretation to turn Ralph Brenter from a good-hearted Okie hayseed to a middle-aged Native American woman named Ray Brentner.  In an odd way, it pays tribute to the original mini-series, which swapped the gender of radio personality Ray Flowers from male to female (played by the incredible Kathy Bates).  There's no reason that the Ralph character has to be male from a story perspective, and truth be told, the cast probably could have used a bit more diversity, as I'm sure Mr. King would agree.


Speaking of Larry Underwood, here he is with his back turned to the camera in a post-plague New York City alongside Rita Blakemoor.  I'll repeat what I said earlier - when I read the book, I always pictured Rita as being significantly older and less put together than Heather Graham, but she's a fantastic actress and I'm sure she'll rock it.

The thing that caught my eye in this part of the trailer isn't either of the actors, but the background.  This scene is meant to take place in the first days of post-Captain Trips New York City.  It should look like a post-riot wasteland, complete with burnt out buildings, smashed windows and bodies of flu victims everywhere.  From the looks of this screenshot, the city is almost pristine, apart from a small pile of garbage and one car that's double parked, neither of which would be cause for a second glance on any random day in the city.  In fact, this image of NYC looks more clean and orderly than it was the last time I was there prior to the Covid-19 pandemic.  I really hope they didn't skimp on the production costs.


I'm guessing that this scene is showing Stu Redman making his escape from the plague center in Stovington, Vermont.  I get that they're going for the atmosphere of a power outage and dim emergency lighting that's kept up by backup generators, but if I hadn't read the book, this photo would make me think that Stu was captured by a spaceship.


Here, we have Larry Underwood sitting in a room that appears to have an intravenous drip bag in the background.  That would place this scene in the final days of the Captain Trips pandemic with Larry and his mother.  It didn't occur to me until seeing this picture, but it appears they're giving Larry a goatee from the start of the series.  This contrasts with the book and the mini-series, which present Larry as a clean shaven, fresh faced rock star on the rise whose beard grows as he is shocked into maturity by a post-plague world.

Again, the background of this shot is taking up most of my attention.  If you've never read the book, try to imagine a hospital in New York City that is completely overrun.  In other words, picture what a hospital looked like in the busiest day of the Covid-19 pandemic and multiply that by 1,000, because Captain Trips has spread to the entire population, and it kills 100% of those who become infected within days.  I know you can't tell much from a single screenshot, but the room appears to be largely empty and clean as a whistle.  The hospitals in The Stand were overrun with people who are packed in like sardines and in a state of panic.  The concept of social distancing never comes up, because by the time the general public is aware of what's going on, the superflu is literally everywhere.

If it was just one screenshot, I'd probably dismiss these thoughts as minor nit picks, and perhaps that's just what they are.  Maybe they're holding back the truly shocking images of an apocalyptic plague that literally brings an end to human civilization.  However, it's a trend I've noticed in more than one image.  I suppose time will tell.


Yes!  That is the Harold Lauder from the book!  That is the young man whose insecurities, fueled by his "ledger" have driven him to madness.  I've always thought that the original mini-series makes Harold a bit too sympathetic in the beginning and not quite sympathetic enough at about three quarters of the way through the story, when he comes frustratingly close to a moment of clarity that leads him to almost abandon his senseless desire for vengeance and to find a better way.  I'm encouraged by how he will be portrayed in the new mini-series.


I don't know if it's the piano, the mustache or the lighting, but I'm getting Little Richard vibes from this picture of Nick Andros.  Seeing Henry Zaga in this light almost makes me wish he could swap roles with Jovan Adepo as Larry Underwood, because he definitely could fill the role of a rock star with this look.  However, the real story here is the eye patch.  This leads me to believe that the Nick Andros of the new mini-series will be a bit closer to the book than he was in the original mini-series.  Poor Nick is in for a rough time in Shoyo, Arkansas.


Call him the Dark Man.  Call him the Walking Dude. Call him the Man In Black who fled through the desert while The Gunslinger followed.  Call him whatever name you know him by, because it all comes out the same.  He is Randall Flagg, and he is eternal.

There's not enough in the trailer to know how Alexander SkarsgÃ¥rd will bring life to the most diabolical villain in the Stephen King universe.  The concern I have is that there's supposed to be a charismatic charm to the Dark Man that isn't coming across in the little bit that I've seen so far.  Randall Flagg is evil, no doubt about that, but he doesn't only inspire evil followers.  The book makes it very clear that men, women, and even children fall under his spell and make the trip to Las Vegas, and that they're not really different from the folks who make the journey to Boulder to meet Mother Abigail.

Jeffrey Dean Morgan would have been the perfect choice to play Randall Flagg.  A lot of the same elements that make Negan tick are mirrored in the Dark Man.  Watch any episode of The Walking Dead that features Negan in charge of The Saviors and you'll see what I mean.  He's violent and dangerous, but there's also a cold logic there, and a loyalty to those who are loyal to him.  Above that, he inspires loyalty from others because his lies are dipped in just enough truth to make his followers proud to be part of what he is building.

There isn't even close to enough material here to see if this will come across as strongly in the mini-series as it does in The Stand, The Dark Tower or anything other place where Flagg pops up, so we'll have to wait and see.


I'm beginning to wonder if Julie Lawry has been given a bigger role in this version of The Stand.  She's a minor character in both the book and the original mini-series.  She pops up in Kansas for a few pages while Nick and Tom make their way across the country to Hemingford Home, and then you don't see her again until almost the end of the story where her appearance is slightly more than a cameo.  She's important enough to not leave on the cutting room floor, but if you had to, it wouldn't take too much creativity to work around her absence.  The fact that her character is one of the roughly dozen or so that the producers have included in the trailer is puzzling.


If the last photo had me puzzled, this one has me flat out confused.  I have no idea who the hell this is supposed to be, but she looks pretty pissed off.  She's holding something that's either a bedazzled microphone or maybe a lever of some kind, and it appears that she's in a room with a chandelier and a giant panting on the wall.

According to IMDB, there's an actress named Fiona Dourif listed in the cast as playing The Rat Woman.  I'm really bad with faces, but this could be her.  If it is, this is both a race and gender swap from the original mini-series.  The Rat Man was played by Rick Aviles, a black Puerto Rican actor who is best known as the mugger in Ghost in which he co-starred with Whoopi Goldberg.

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Speaking of Whoopi, here she is as Mother Abagail staring down a majestic looking white wolf, which I believe is either being possessed by Randall Flagg or is Flagg himself.

I think that this is going to be one hell of a series.  It's got pretty big shoes to fill to live up to the book, but this is the most interested I've been in a television series in a very long time.  I'm looking forward to seeing if they include any Dark Tower easter eggs along the way.  I'm even more interested by the fact that Stephen King has written an all new ending to the last chapter that is different from the novel.  I don't know if that new ending begins before or after the final confrontation with Randall Flagg, but either way, I can't wait to find out.

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang, but a whimper
                                                           - T.S. Eliot

Aug 30, 2020

Baby, Can You Dig Your Remake

Owen Teague as Harold Lauder in the 2020 adaptation of The Stand
(source: Robert Falconer / CBS)

The Stand
CBS All Access (2020)
I recently listened to Round Table #92 from the Dark Tower Palaver podcast.  The episode was centered around my all-time favorite novel, The Stand, and it's upcoming miniseries that will stream on CBS All Access on December 17th.

As much as I love The Stand, I've kind of pushed this project to the back of my mind.  Stephen King film adaptations have historically been hit or miss, however when they miss, they miss by a country mile.  The best example of this is when Sony Pictures attempted to cram eight novels and a short story into a single movie with their release of The Dark Tower in 2017.  They tried to call it a sequel to the books.  It wasn't.  It was a half-assed attempt to cash in on perhaps the best series of novels ever written with a poor film that, at best, contains a handful of references to its source material.  The Dark Tower movie is to The Dark Tower universe what Family Guy: Blue Harvest is to the Star Wars universe, and even that is giving it far more credit than it deserves.


This isn't the first time The Stand has been turned into a mini-series.  The first attempt aired on ABC in May, 1994, and it's surprisingly good for a King adaptation.  It over-simplifies much of the plot and its characters, and it leaves quite a bit out, but I found it to be an enjoyable 6+ hours that succeeds in capturing the spirit of the novel.

I didn't realize until listening to this podcast that they were as far along in the mini-series remake as they are.  Much of the cast has been announced, and some production photos have been published by Vanity Fair, so I'd like to take a moment to compare the actors and actresses that have been announced for the upcoming mini-series to the one that aired on ABC 26 years ago, and to the character as he or she is presented in the original novel.

James Marsden (left) and Gary Sinise (right)
Stu Redman
2020James Marsden
1994: Gary Sinise

Marsden has an impressive resume, but he's got very big cowboy boots to fill in The Stand.  Gary Sinise was absolutely perfect as Stuart Redman.  He came across naturally as "just another good old boy in a dying Texas town" who discovered his place in the world only after it ended.  My initial reaction was that he's too young for the role, but he's definitely not.  The man is 46 and he looks like he could be ten years younger than me.  That being said, I think Marsden might be a bit too GQ and polished for the role, but I'm sure people said the same thing about Rob Lowe in the original mini-series, and he was amazing.  I'm going to go ahead and set my skepticism aside when it comes to the new Stu Redman.

Odessa Young (left) and Molly Ringwald (right)
Fran Goldsmith
2020Odessa Young
1994: Molly Ringwald

It's been over 20 years since I first watched the original mini-series.  I've watched it at least a dozen times, and I'm still not sure how I feel about Molly Ringwald's performance as Frannie.  I guess I don't hate it, but I don't think she fully captured the young woman that King wrote about.

I've not seen any of the films or shows that feature Odessa Young, so I know nothing about her, but I'm pretty happy about that.  I think part of the problem with the original mini-series is that it was sometimes difficult to see past the star of the 80's Brat Pack films to fully appreciate the Fran Goldsmith of the book.  I'm interested in seeing how she is brought to life.

On a side note, I hope they find a way to include the confrontation between Frannie and her mother in the parlor.  I have a hunch it's not going to make it to screen, and I can understand why, but I think the scene does a great job of explaining Fran Goldsmith and where she came from.

Rob Lowe (left) and Henry Zaga (right)
Nick Andros
2020Henry Zaga
1994: Rob Lowe

Rob Lowe is right up there with Gary Sinise for his masterful performance as Nick Andros.  It couldn't have been easy to play a deaf mute and to capture the essence of a character whose only speaking lines come in a couple of dream sequences, but Lowe did a tremendous job.  I've only ever seen Henry Zaga in 13 Reasons Why.  He's a competent actor who seems like he'd be up to the challenge.

Bill Fagerbakke (left) and Brad William Henke (right)
Tom Cullen
2020Brad William Henke
1994Bill Fagerbakke

When I watched the original mini-series for the first time, it took me a moment to separate Bill Fagerbakke from his role as Dauber in Coach, but it didn't take long for him to melt into the role.  I think I'm going to run into the same situation with the remake as I try not to see Captain Piscatella from Orange Is The New Black.  I think that getting Tom Cullen just right may be even more challenging than the role of Nick Andros, particularly in the world today when so many are just aching for an excuse to hop on their soapbox and feign outrage, but Henke is a brilliant actor and I think he'll do a great job.

Adam Storke (left) and Jovan Adepo (right)
Larry Underwood
2020Jovan Adepo
1994Adam Storke

One of the current trends in television and filmmaking is to cast a black actor in a remake of a work that was previously played by a white actor.  It has the same effect on the general public pretty much every time: racists will express outrage while liberal-minded people will insist that the job should be given to the person with the most talent and who is best suited for the role regardless of their race.  The latter is a noble sentiment, but it's tainted with hypocrisy as these views are often expressed by the same groups who insist that all white actors step away from roles of characters that have a different ethnicity, such as Hank Azaria in The Simpsons or Scarlett Johansson in The Ghost In The Shell.

As usual, the douchebags who take these issues to the extreme have the loudest and most obnoxious voices in the discussion, so they shout down anyone in the middle who express a reasonable, adult opinion on the matter.  Therefore, if you don't enthusiastically agree that the world has gone to hell because black actors are portraying characters who have traditionally been white, you're called a libtard snowflake by one group of douchebags.  If you don't fall in line with the opinion that any actor can play any role, except for white people who must only accept roles for white characters, you're called a racist Nazi by another group of douchebags.  Naturally, both groups of douchebags are completely unaware of how asinine they are because they're obsessed with coming up with a zinger (which the little kiddos now call a "clapback") to "own" people who don't conform entirely to their world view.  This is mostly done as a public performance for the purpose of receiving positive reinforcement from their fellow douchebags ("say it louder for the people in the back").  The more I deal with people, the more I almost wish Captain Trips was real.  Anyway, at the risk of offending anyone in a world where we have all become Big Brother to each other, I will offer my opinion on this casting.

I absolutely love the way that Adam Storke brought the character to life in 1994, particularly when he takes a break from his trip across the country to play Eve Of Destruction for a traffic jam of the dead outside of Des Moines.  He played the role with a pitch perfect attitude to the source material, and his progression from a self-centered musician who "ain't no nice guy" to a family man who is willing to lay down his life to stand against evil is captured beautifully by Storke's performance.  These are big shoes to fill.

While I was critical of the casting of Idris Elba as Roland Deschain, I don't feel the same way about the casting of Jovan Adepo as Larry Underwood.  Unlike the lead role in The Dark Tower, there is no reason in the story for Larry to be a white guy.  Adepo is the right age for the character, and although I'm unfamiliar with his work, he has a look that I can definitely see as a musician from New York City who has the bad luck to have his big break coincide with the end of the world.

Laura San Giacomo (left) and Amber Heard (right)
Nadine Cross
2020Amber Heard
1994Laura San Giacomo

This may be the most appropriate casting in the whole project.  I don't remember seeing her performance in any movies or television shows that I've seen, but I can absolutely buy her in the role of the twisted, manipulative and evil Nadine Cross.

I wasn't a huge fan of how the Nadine was presented in the 1994 mini-series.  A large part of that is due to the fact that they omitted the Rita Blakemoor character and shoehorned her story into that of Nadine.  This also eliminated the relationship that Nadine had with "Joe", both on the road and in Boulder, so the end result was that Laura San Giacomo was playing a bastardized version of Rita and Nadine that didn't do justice to either one.  Her performance is all over the place, and I don't feel that it connected strongly to the motivations or story arc of the Nadine Cross character.  I know nothing of Amber Heard's work, but if she's half as good of an actress as she was in her Oscar-worthy performance of playing the victim to Johnny Depp, I'm intrigued.

Corin Nemec (left) and Owen Teague (right)
Harold Lauder
2020Owen Teague
1994Corin Nemec

Although I like Corin's performance in the original mini-series, I'm not crazy about how he was written at the start of the story.  The Harold Lauder in the first episode of the 1994 series is a socially awkward nerd who borders on being lovable.  In contrast, the novel presents him as highly intelligent, but absolutely obnoxious and not the least bit lovable.  When viewed through the lens of modern psychology, Harold comes across as a highly functioning autistic who recognizes that people don't like him without understanding why.  This causes him to become bitter and mistrustful of people while, at the same time, crafting an artificial persona to make it through the day, such as when he spends hours staring into a mirror to practice smiling.  As an autistic, I can definitely relate to this.

The original mini-series also short changes the crossroads that Harold comes to after he and his group settle down in Boulder.  In the novel, Harold gets so good at faking his way through the social landscape that he actually becomes respected and well-liked.  Stu even begins to warm up to him.  Eventually, Harold begins to question his desire for vengeance and seems on the cusp of leaving the negativity that plagued his mind in the past, until Randall Flagg and Nadine Cross nudge him back down a road that will damn him.  If not for their influence, I think "Hawk" would have eventually found himself in this new world, much in the same way that Larry Underwood did.

All of this nuance is lost in the original mini-series.  Harold goes from a nerdy, lovesick puppy to a murderous psychopath with very little exploration of his character.  I'm not at all familiar with Owen Teague's work, but I'm hoping that the remake of the mini-series can finally do justice to Harold Lauder on the screen.

Whoppi Goldberg (left) and Ruby Dee (right)
Mother Abagail
2020: Whoopi Goldberg
1994: Ruby Dee

The iconic Ruby Dee infused Mother Abagail with heart.  If you ever listen to the director's commentary track from the original mini-series, it will be clear to you that she loved playing this role and she put all of herself into the character.  I can think of no better actress for the late Ms. Dee to pass the baton to than the incomparable Whoopi Goldberg.  I have thoroughly enjoyed everything I have ever seen Ms. Goldberg in, and I can't wait to see the energy she brings to the 108 year old from Hemingford Home, Nebraska who still bakes her own biscuits.

Ray Walston (left) and Greg Kinnear (right)
Glen Bateman
2020Greg Kinnear
1994Ray Walston

The old bald-headed sociologist is probably my favorite character in The Stand overall.  I know many readers might disagree with me, but I feel as if Glen Bateman is the old man that Harold Lauder could have grown to become if he could have charted that blue and lonely section of hell and come out the other side.  Glen came out the other side as a distant loner with a dim view of the human race, which is summarized nicely in a conversation he has with Stu:
 “Shall I tell you what sociology teaches us about the human race?  I’ll give it to you in a nutshell.  Show me a man or woman alone and I’ll show you a saint.  Give me two and they’ll fall in love.  Give me three and they’ll invent the charming thing we call “society”.  Give me four and they’ll build a pyramid.  Give me five and they’ll make one an outcast.  Give me six and they’ll reinvent prejudice.  Give me seven and in seven years they’ll reinvent warfare.  Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.”
Ray Walston is probably best known as the titular character from My Favorite Martian, and he was perfect as Glen Bateman.  He was 79 years old when the original mini-series was filmed.  This time around, the've decided to go with 57 year old Greg Kinnear.  Kinnear is only 11 years older than James Marsden.  Unless they're planning to use makeup or CGI to age him up, I feel like this casting choice might alter the relationship between Glen and Stu.

Jamey Sheridan (left) and Alexander SkarsgÃ¥rd (right)
Randall Flagg
2020Alexander Skarsgård
1994Jamey Sheridan

The casting of The Dark Man is interesting to say the least.  Alexander SkarsgÃ¥rd is the older brother of Bill SkarsgÃ¥rd, who plays the iconic Pennywise in the film remake of Stephen King's It.  He looks a bit like Bryce Harper in the production photo, which has given me the visual of Randall Flagg bowing to the fans in right field at Citizens Bank Park.

When I first saw the mini-series, I liked Jamey Sheridan as Flagg.  I thought the special effects to turn his face into a demon were a bit silly and unnecessary, but he was unnerving and made me feel like this is someone I'd want to be friends with, not because I'd enjoy their company, but because I'd be afraid not to be.  However, as I worked through The Dark Tower series and realized that Flagg is just one of the many forms that The Man In Black has taken over the centuries, Sheridan doesn't seem right.

I was hoping for Jeffrey Dean Morgan, but if Alexander SkarsgÃ¥rd is half as creepy as his little brother in the clown makeup, he'll make a great Randall Flagg.

Miguel Ferrer (left) and Nat Wolff (right)
Lloyd Henreid
2020Nat Wolff
1994Miguel Ferrer

I'm not sure how to feel about this casting.  On one hand, the novel describes Lloyd Henreid as "the unrepentant baby-faced killer" when his murder spree in the pre-pandemic world generates headlines in the newspaper.  On the other hand, Miguel Ferrer delivered what was probably my favorite performance in the original mini-series when he was in his late 30's.  He was masterful, and for that reason, I have a hard time separating Ferrer from Lloyd when I read the book, even though the actor might have been older than the character was in the source material.

My knee jerk reaction to seeing that Nat Wolff cast as Lloyd was "Oh, come on!  Why do they always cast young, fresh-faced kids in roles meant for characters in their 30's and 40's", but I don't want to be unfair to the actor.  He's not too much younger than the character as it was originally written, and he very well might do a tremendous job and bring more of the source material to the screen.

Katherine McNamara (left) and Shawnee Smith (right)
Julie Lawry
2020Katherine McNamara
1994Shawnee Smith

Julie is first introduced to readers of The Stand as a 17 year old girl, but we very quickly learn that this might not be the case.  Stephen King clarifies the characters age by saying "She wasn't seventeen, or fourteen, or twenty-one. She was any age you wanted her to be... as long as you wanted her more than she wanted you".  In some ways, I find her to be the most realistic villain of any King novel.  Shawnee Smith did a great job in bringing madness and a smiling hostility to the character.  I still haven't gotten around to watching Arrow so I'm not very familiar with Ms. McNamara's work, but when I looked up a photo of her and found this one of her smirking, I was immediately on board with her in the role of Julie Lawry.

Jovan Adepo (left) and Heather Graham (right)
Rita Blakemoor
2020Heather Graham
1994: not included

Rita was cut out of the 1994 mini-series altogether.  They instead tried to fold aspects of her character into Nadine Cross.  I think that decision hindered Larry and Nadine, so I'm happy to see that Rita will be in the new mini-series.  King wrote her as an older, over-privileged widow who latches on to Larry.  My reaction to Rita is one of the reasons why I relate to the less desirable traits of Larry.  If I'm being completely honest with myself, Rita would have irritated me to the point where I would have bailed on her at the Lincoln Tunnel, if not sooner.  I know that's not the reaction King was going for, but what can I say?  I guess I ain't no nice guy, as the dental hygienist would no doubt have said if she met me - right after nailing me in the head with a spatula.

Heather Graham is an interesting casting choice.  When I was a teenager, she was Rollergirl in one of my favorite films, Boogie Nights.  I'm not sure if she's going to play Rita the way that King wrote her.  The production photo sure doesn't look like the Rita from the novel.  I pictured her to be more like Blanche Devereaux from The Golden Girls, but with the helpless, needy characteristics of Bill Dauterive from King Of The Hill.  You can't tell much from a single production photo, but I don't get those vibes from Graham as Rita.

Marilyn Manson - Photo source:  Christine Chew / UPI
Unknown
2020: Marilyn Manson

The shock rock star has been cast for The Stand, but there was no announcement of what role he is playing.  Rumor has it that he will be playing Donald Merwin Elbert, better known to Stephen King fans as The Trashcan Man.

The Trashcan Man is one of my favorite characters in any Stephen King novel.  I've long felt that he's also one of the most misunderstood characters in the King universe.  Trashy is not an evil guy.  He was shaped into what he became by the world around him.  Whereas Tom Cullen was nurtured and cared for, Donald Elbert grew in a world of rejection and abuse.  Imagine a version of The Stand where he ignores The Dark Man, who preys on his weaknesses to draw him to Las Vegas - a world where he instead goes to Boulder to make a life in the Free Zone.  Would he have been welcomed, or would it have been Terre Haute all over again?

I see Trashy as an instrument of God much in the same way that Tom Cullen is.  He took a different path than Stu, Larry, Glen, Ralph and the "scouts" that were sent ahead of them.  However, he was put in the time and place that he needed to be to make his stand against The Dark Man.  Like Tom Cullen, he isn't fully conscious of his role, but if he wasn't there to play it, Randall Flagg's empire would have continued.  Gan works in mysterious ways.

It makes perfect sense for Manson to play The Trashcan Man, but something here seems fishy.  I think we're meant to believe that he's playing Trashy, but I have to wonder why Manson is the only known cast member whose role in the series hasn't been announced.  The production team has gone out of their way to announce most of the other major roles, as well as to release photos from the set, but there's been no photos of The Trashcan Man.  It makes me wonder if they're planning to shock us with Manson playing General Starkey, or the President of the United States, or some other straight-laced face of the system that allowed Captain Trips to come into being.  They could also be planning to spring him on us as one of Trashy's companions in the desert, if you can believe that happy crappy.  Wherever he is, I look forward to seeing Manson as a part of The Stand.


I'm so ready for this.  The Stand is my favorite work of fiction of all time, in any medium.  I've read the book, listened to the audiobook and watched the 1994 mini-series countless times since I first discovered it as a teenager.  I'm keeping an open mind that the people behind this new mini-series will learn from the mistakes of The Dark Tower film and deliver something worthy of this fantastic story.